Bassab Studio set up some new instruments,Mackie 32-8 Mixer,Alesis HD24,SDE2500,SDE3000A,SDE2000,SPX900,SDD320,Fender Precision Bass,etc.
Last set up is like clubz centering dj booth but in this time we decide to set centering mix console table to concentrate the mixing work,like this.
Massive speakers just face to mix console.JBL JRX100 sitting on Sub-Woofa.Amplifier is Crest CPX2600,American Audio V4000.Amazing massive sound can get directly to check sounds.These sub-woofa brought by Mr.Zukarohi.
DJ booth moved to just right hand of entrance.Just convenience to play records.
The sight from drum set is like this.Face directly to mixing console.I normally record drums at first,So first play is much important deciding direction of the track.
This time Mr. Nanao and Cutsigh of Audio Active bring these equipment to corporate this studio.
If you interest to make something in BASSAB STUDIO,contact to us.
It's been a long time coming but it's finally here; just in time for summer, Elektrik Dragon team up with Made In Glitch and drops a compilation of some of the sickest, sleaziest bass-heavy grooves around. From humble beginnings in in Tokyo in late 2007, Made In Glitch has gone from strength to strength; what began as a small underground club night has since expanded to include a record label.At its core though Made In Glitch represents an instantly-recognisable stamp of musical quality and nowhere is that more obvious than on this compilation. As well as contributions from the undisputed godfathers of the genre edIT, Eskmo and EPROM, this release features tracks from Bass Science, Australian glitch-master Spoonbill and UK based dubstep producer Screenager, as well as exclusive cuts from Japan's own Broken Haze and OQTO. edIT's sprightly 'Pound 4 Pound' already sounds like a classic, while Made In Glitch's very own MattB turns in a bass-heavy remix of Mochipet's 'Rambuntkion'.Elsewhere, OQTO offers a more contemplative take on the glitch/dub sound while fans of the Made in Glitch label will recognise Salva's explosive 'American Grime', aired on Mary Anne Hobbsf show on BBC Radio1. With a roster this glittering it's easy to see why in such a short time Made In Glitch has quickly established itself as one of the leading vanguards of the new electronic underground.
http://www.myspace.com/maryannehobbs LEAVING THE BBC... Yesterday i resigned from BBC Radio1, after an amazing multi-dimensional 14 year career. The great freedoms the BBC have given in me as a broadcaster, have allowed me to help break so many confrontational artists as diverse as Slipknot and Skream, and of course, the whole genre of Dubstep in recent times. My current Experimental show is in peak condition, it’s never been stronger. And although it’s a very emotional decision to leave the show that I love so much, it’s also an optimum moment to bow out, at the very top of my game. My work for Radio1 on the Breezeblock, Rock Show, many fascinating documentaries about everything from David Bowie to Dubstep, on daytime, at festivals and award ceremonies, has been exceptionally rewarding. These have been glory days not just for me, but for all the artists who have shared my BBC platform, and of course, the listeners everywhere from Beijing to Berlin, Baltimore to Blackpool, who shared a great passion for future sound. I will continue to DJ live, work in film, and curate at Sonar festival in Barcelona. I have also accepted a new job mentoring and teaching students at the University of Sheffield’s Union Of Students radio station, TV station and the newspaper that operate out of their superb Forge Media Hub, which presents me with a really exciting new challenge. My last show on BBC Radio1 will be broadcast: September 8th>>9th … Wednesday night >> Thursday morning… 2-4am www.bbc.co.uk/radio1/maryannehobbs Thank you so much for listening.. on BBC Radio1 this week Breach, Braiden & The Blessings bring next generation sound..
